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Get in the Scrap!

This month’s Calling All Teachers e-newsletter highlights Get in the Scrap!, a national service-learning project for grades 4–8 about recycling and energy conservation.

Inspired by the scrapping effort of students during World War II, Get in the Scrap! offers all students a chance to complete fun and educational classroom activities while learning important lessons about environmental stewardship. They’ll even earn cool prizes for their hard work. With activities covering history, civics, ELA, art, and STEM, Get in the Scrap! will empower kids to make their own history.

The March Calling All Teachers e-newsletter also showcases the Museum’s 2016 Essay Contest and next week’s Echoes and Reflections Holocaust Teacher Workshop.

In conjunction with the special exhibition Fighting for the Right to Fight: African American Experiences in WWII, this year’s Essay Contest asks students in grades 5-12 to consider the availability of liberty and justice for all Americans seven decades after World War II. The deadline is March 15, so make sure your students submit their essays today!

The Echoes and Reflections workshop will take place at the Museum from 3:30 – 6:30 p.m. Tuesday, March 8, and will feature the innovative multimedia classroom curriculum designed by the Anti-Defamation League, Shoah Foundation, and Yad VaShem. Register today!

Finally, the latest Calling All Teachers e-newsletter shine’s the spotlight on the Lend-Lease Act, which went into effect seventy-five years ago this month. Lend-Lease ramped up American involvement in World War II and the nation’s industrial output, lighting the path out of the Great Depression. You can find classroom resources to explore the United States’ transformation from an isolationist nation into the world’s greatest industrial power here.

Get more resources and ideas by signing up for our free monthly e-newsletter Calling All Teachers and following us on Twitter @wwiieducation.

Post by Dr. Walter Stern, K-12 Curriculum Coordinator at The National WWII Museum. 

 

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SciTech Tuesday: WWII and the Invention of M&Ms.

On March 3, 1941, Forrest Mars received a patent for the most popular and long-lasting WWII invention: sugar coating milk chocolate to make a candy. He got the idea from a confection named ‘Smarties,’ which Forrest saw soldiers in England eating. The hard exterior kept the chocolate from melting and making a mess when it warmed in a pocket or hand. Do not mistake British ‘Smarties’ with American ‘Smarties’—they are completely differently delicious.

Forrest Mars was the son of Frank C Mars, the founder of Mars Company. Forrest and his business partner Bruce Murrie (who was the son of the president of Hershey Chocolate) began production of the candies at a factory in Newark, New Jersey in 1941, naming their company M&M (using their last initials). Chocolate was rationed at the time, and the partnership allowed the fledgling company to use Hershey’s monopolized chocolate. In later years as Forrest Mars took the helm of his father’s company (and eventually became Forrest Mars Sr), he bought the Murrie share of the company and folded it into Mars.

The candies, which came in a cylindrical tube, became a staple of rations for soldiers, and the company moved production to a bigger factory in Hackettstown. Although the candies were made in great volume, they were only available as part of military rations until throughout the war. The iconic ‘M’ printed on each candy didn’t come until 1950, and at first was printed in black.

The first M&Ms came in 5 colors—brown, yellow, green, red and violet. Forrest Mars also invented the Mars bar (1932) based on the Milky Way (1923) introduced by his father. It’s a sweet story.

All images from the collection of the National WWII Museum

Posted by Rob Wallace, STEM Education Coordinator at The National WWII Museum.

Are you, or do you know, a science teacher of students in 5th-8th grades? We are looking for members for the 2016 Real World Science Cohort. Spend a week at our museum, learning all about how to teach hands-on science with connections to history and literacy. Apply now–applications accepted until March 4, 2016.

 

 

Scholarships to Spend the Summer Studying in Hawaii with Pacific Academy

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How would you like to earn six college credits in one of the world’s most beautiful and culturally rich island cities, learning about America’s role in the Pacific Theater of World War II―at the very place where we were plunged into this global struggle? Well, there are scholarships available to do just that with The National WWII Museum’s Pacific Academy!

ATM with students

This summer June 11-July 9, 2016, The National WWII Museum will be taking up to 100 college students from across America to spend one month learning about the attack at Pearl Harbor and other subjects related to World War II and Hawaiian and Asia-Pacific history at Hawai’i Pacific University. This once in a life-time opportunity will put you learning under top faculty—including featured professor Allan R. Millett, PhD—who share expertise and passion for the study of World War II and the history of Hawaii. When you’re not hitting the books, you can take advantage of Oahu’s famous beaches and tropical setting along with its many attractions where your studies will even take you like Pearl Harbor, USS Arizona Memorial, Iolani Palace, and more!

Scholarships are still available on a limited basis rewarding $2,000 per student to spend the summer in Oahu with us. To apply, enroll in the Pacific Academy now and submit the initial deposit of $1,000 to reserve your space. Then, by March 18, 2016, tell us in a compelling and informative two to three-page, double-spaced essay on how WWII influenced the character of the Asian-Pacific world in the Twentieth Century.

 

Learn more about The Pacific Academy and the courses offered this summer here.

 

Have questions? Call our student travel experts at 877-813-3329 x514.

 

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Sci-Tech Tuesday: There WERE computers in WWII

I frequently hear, and sometimes read, people saying that there were no computers in WWII. This is completely untrue. Today we think of computers as digital electronic devices, and in particular, devices using some kind of semiconductor to make switches.

During WWII there were many kinds of specialized computers designed to use mechanical methods to make calculations. True airspeed calculators, firing tables, and dead reckoning computers are the most common examples. They are examples of slide rules, which were commonly used for mathematical calculations just a generation ago (I used slide rules in high school, until the TI-30 calculator was widely available, in 1980).

The history of computers goes back hundreds of year. The abacus is 4,000 years old, but doesn’t really make calculations or count, it just handily holds information for reference. Pascal built a computer to calculate taxes. Charles Babbage designed a difference engine, and Ada Lovelace figured out how to program it, but that was mostly theoretical, as he never really got a working version. Most of these devices used gears and wheels and dials to take advantage of mechanical models of mathematical relationships.

If you know any WWII history, that last description probably calls to mind both the Enigma machine, and Turing’s Bombe. The Colossus was the first electronic computer—and it was designed to work in concert with the Bombe to break the Enigma’s ciphers.

During WWII the US developed it’s own large computer. The Harvard Mark 1 was a electro-mechanical computer built by IBM based on a design by Howard Aiken, and influenced by Babbage’s earlier plans.

The Mark 1 used electricity to turn wheels on rotors, powered with relays and controlled by switches. It was basically a series of connected adding machines, with mechanical counters embedded. The first program run on it was written by John von Neumann, who was comparing the efficacy of implosion and gun mechanisms to trigger the first atomic bombs.

The Mark 1 was replaced in series by models up to IV. The Mark III included more electronic components, tubes and crystal diodes. The Mark IV removed all mechanical components, storing memory in magnetic cores.

Howard Aiken, the inventor of all four computers, would be 116 on March 8 of this year. He died in 1973.

 

Posted by Rob Wallace, STEM Education Coordinator at The National WWII Museum.

Are you, or do you know, a science teacher of students in 5th-8th grades? We are looking for members for the 2016 Real World Science Cohort. Spend a week at our museum, learning all about how to teach hands-on science with connections to history and literacy. Apply now–applications accepted until March 4, 2016.

all images from Wikimedia Commons

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Link the Past to the Present with the 2016 Essay Contest!

 

Students can connect World War II history to today’s most pressing social justice issues through the Museum’s 2016 Essay Contest.

Drawing upon African Americans’ wartime experiences and a poignant letter written by twenty-six-year-old James G. Thompson in 1942, we are asking students to consider the availability of liberty and justice for all Americans seven decades after World War II.

In January 1942, Thompson was a 26-year-old cafeteria worker at an airplane factory in Wichita, Kansas. As a young black man, he wondered how World War II would affect African Americans, who faced significant discrimination on the Home Front and in the military. This situation led Thompson to express his feelings about America’s inequality at home and its war against fascism abroad in a letter to the Pittsburgh Courier, an influential black-owned newspaper.

In conjunction with its special exhibit, Fighting for the Right to Fight: African American Experiences in WWII, the Museum asks middle and high school students to respond to Thompson’s questions and concerns about the availability of liberty and justice for all Americans.

The contest is open to all middle school (grades 5–8) and high school students in the United States, US Territories, and US military bases, and the submission deadline is 5:00 p.m. CST March 15, 2016.

For complete eligibility and formatting guidelines, and to submit an essay, students should click here. Teachers can also download the middle and high school classroom guides for Fighting for the Right to Fight here.

Get more classroom resources and ideas by signing up for our free monthly e-newsletter Calling All Teachers and following us on Twitter @wwiieducation.

Post by Dr. Walter Stern, K-12 Curriculum Coordinator at The National WWII Museum. 

 

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Wartime Love Story: Raymond and Anna Mae

Many of the collections in our holdings relate not to battlefield maneuvers or combat tactics, but are very personal in nature. Some collections are so personal you feel like you’re invited to share in a very private moment, being let in on a secret. This is the case with the collection from Raymond Snelting and Anna Mae Milazzo Oertel Snelting.

Raymond was one of seven children from the rural community of St. Charles, Illinois. He left school to join the Civilian Conservation Corps to earn a living. Ray joined the Army when the war began and was assigned to a Signal Corps unit and underwent basic training at Fort Polk in Louisiana before being transferred to Camp Plauche in New Orleans. While here he fulfilled a variety of different roles, including trips to the Caribbean and South American observing weather patterns. In New Orleans, Ray worked in the motor pool, as an MP, and as a telegrapher, and teletype repairman. Because of one particular teletype repair call, Raymond met Anna Mae Milazzo Oertel, a young teletype operator and widowed mother of two children.

Anna Mae married Carl Jacob Oertel and had two children, Carol Ann and Carl Jacob. On October 16, 1939, Carl was in an automobile accident and suffered a spinal cord fracture, from which he died two days later. Anna and the children moved in with her parents. With the help of lessons from her uncle, a teletype operator, she translated her skills as a pianist (she graduated from the Southern College of Music) to a teletype job at the Port of Embarkation.

Ray was welcomed for Sunday dinner with Southern hospitality in the Milazzo home. And because her mother did not approve, Ray courted Anna Mae secretly.  They fell in love despite their very different backgrounds. They were married on April 16, 1944 in a simple ceremony at the Post Chapel at Camp Plauche. Carol Ann and Carl Jacob now had a “Daddy Ray.” On September 1, 1950, the couple had a daughter, Carla Rae Snelting. Carla Rae shared a collection of her parents’ memorabilia with the Museum. In honor of Valentine’s Day, we are pleased to share this story of wartime romance and a happily ever after, just one example of the tender moments our artifact donors bring to us daily.

Gift of Carla Rae Snelting Shirer, 2014.494

Post by Curator Kimberly Guise.

Carnival Costume Pays Tribute to Andrew Higgins

Brittany Wagganer wearing her costume in front of the Museum at Andrew Higgins Boulevard.

Brittany Waggener wearing her costume in front of the Museum at Andrew Higgins Boulevard.

There’s one costume we’ve been seeing on the parade route down in New Orleans this Carnival season that has us intrigued. Marching down the streets in many parades is one Dame de Perlage who is paying honor to the Museum’s cross street Andrew Higgins Boulevard with an intricate beaded corset featuring a WWII amphibious invasion scene.

Dames de Perlage is a walking krewe of women who continue the beadwork tradition of perlage, and their theme this year paid tribute to streets in New Orleans. One Dame named Brittany Waggener, a fan of the Museum and PhD student in Urban Studies at the University of New Orleans, chose to make her costume to pay tribute to our cross street named for Andrew Jackson Higgins, the man behind why the Museum calls New Orleans home.

Dwight Eisenhower attributes Higgins as “the man who won the war for [America in World War II].” During the war, Higgins led a boat building industry in New Orleans that designed and produced the critical LCVP that allowed for successful amphibious invasions like the ones that took place on D-Day and throughout the Pacific. During the war, he employed over 18,000 citizens of New Orleans to produce boats for the war.

Over the past 7 months, Waggener has clocked nearly 200 hours creating this tribute to Higgins with hand-sewn beadwork. Her scene features an amphibious invasion scene with airplane and a Higgins LCVP with three figures in it. The three men in the LCVP represent two of her family members who served in World War II and a close family friend that served in the armed forces during the war: Charles E. “Doc” Hill, Charles Andrew “Andy” Waggener, and Houston Raymond “Ray” Gravely.

Waggener is proud that New Orleans houses our world class Museum, and has been giving patriotic throws for the veterans and active service members she has encountered along the parade route.

 

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Home Front Friday: Carnival in Wartime

Home Front Friday is a regular series that highlights the can do spirit on the Home Front during World War II and illustrates how that spirit is still alive today!

Living in New Orleans, it’s difficult to imagine a Mardi Gras without parades. However, for New Orleanians living during World War II, that nightmare became a reality! The first Mardi Gras Day after the attack on Pearl Harbor came on Tuesday, February 17, 1942. Though many of the floats had been built and the parades had been planned, the festivities were cancelled in the wake of the war declaration. The resources needed to put on the parades were simply too costly for the war effort.

Instead, New Orleanians had to find other ways to celebrate. On March 9, 1943, the Retailers for Victory Committee, chaired by Leon Godchaux, Jr., decided to hold a carnival for war bonds. Operating at the 800 block of Canal Street, the Carnival Day Bond Drive raised $1,192,000 in bonds.

carnival war bonds

During the war years of 1942-1945, official Mardi Gras parades and celebrations in New Orleans were canceled. For March 9th, 1943, the Retailers for Victory Committee, chaired by Leon Godchaux, Jr. , organized a special Carnival Day Bond Drive and celebration in the 800 block of Canal Street. The block was roped off and admission was sold in the form of war bonds. More than 25,000 people were on hand to hear the headlining Higgins Industries’ Band perform along with nationally known singer, Lanny Ross. The event raised $1,192,000 in bonds. From the Collection of The National WWII Museum.

 

Luckily, the parades have resumed! But Mardi Gras in New Orleans can leave you with tons of leftover beads. So why not turn them into an art project? There are thousands of ways that you can re-purpose your old beads – you can glue them to anything! – but for today, we would like to show you how to make a simple, beautiful bead mosaic.

What you’ll need:

  • A cardboard backing for your project
  • A design (we used our logo)
  • Hot glue gun
  • Pencil
  • Ruler
  • Beads!

1. Draw your design on a foam board or cardboard. We chose our Museum’s logo!
2. Begin gluing your beads down! Beads come in all shapes and sizes, so don’t be afraid to experiment with different ones. Be careful not to burn yourself!
3. Once you are all finished, you can display your masterpiece anywhere!

Posted by Katie Atkins, Education Intern and Lauren Handley, Assistant Director of Education for Public Programs at The National WWII Museum.

Costume Fun: Happy Mardi Gras

Carnival festivities went on hiatus while the nation was at war, but with peace, returned revelry. On March 5th, 1946, New Orleans celebrated the first official Mardi Gras since 1941. Seventy years later, in 2016, we are gearing up for an early Carnival on February 9th. Costuming is a vital part of Mardi Gras fun. We recently received a bright addition to the collection of The National WWII Museum. Although this costume was not originally worn as a Mardi Gras get-up, it is appropriate nonetheless.

Mary Emily Rouse Molstad was a high school student during World War II. She received the gift of a grass skirt from a friend who was stationed in Hawaii. At eighteen she tested out her new hula costume for Costume Day at Florence High School in Florence, Colorado. Mary Emily was suspended for wearing the skirt by her uncle, Norman V. Gorman, Superintendent of Florence Public Schools. The young delinquent, Mary Emily, according to her daughter, “worked as a Western Union telegrapher from 1943 until 1950 when she resigned to get married, as Western Union did not employ married women at the time.”

To read more about Mardi Gras during the war years and to see some very thematic costumes, have a look at: images from the Thomas Weiss collection here in our Digital Collections, our Wartime Carnival flickr set, and previous blog post.

Collection: Gift of Susan Wilson, 2015.702

Artifact Photography by Katie Sikora

Post by Curator Kimberly Guise 

 

Help Judge National History Day

National History Day JudgingThe National WWII Museum is looking for teachers and professors, historians, undergraduates and graduate students, museum professionals or anyone with a love of history and community to help judge this year’s National History Day contests!

National History Day is a year-long historical research contest for middle and high school students. Each year, students from across Louisiana create documentaries, research papers, performances, websites or exhibits based upon the annual contest theme. A major benefit to students participating in National History Day besides the fun and excitement of creating an original work is the outside review of that work by volunteer judges, who donate their time to review students’ projects, make suggestions for improvement and determine the entries that will advance to the next round of competition.

Judging is an integral part of the National History Day process. The feedback that students receive is critical to their growth as young researchers. Most of the students will not pursue history as their college major or career choice, however, the skills that the students hone in creating their National History Day projects will apply to any college or career path that they choose. The National WWII Museum is always looking for volunteers who possess both foundational knowledge of history and great communication skills to serve as judges. No prior experience is necessary besides an enthusiasm and interest in encouraging middle and high school students in their research and work!

Judges are needed for Regional Contests in New Orleans, Baton Rouge, Lafayette, Shreveport and Monroe as well as the State Contest in New Orleans which determines which students go on to represent Louisiana at the national competition in Washington D.C.. The dates for all Regional as well as the State Contest can be found below along with the sign-up form to serve as a National History Day judge.

2016 Louisiana History Day Contest Dates:

Baton Rouge: March 19, 2016

Lafayette: March 12, 2016

Monroe: March 12, 2016

New Orleans: March 19, 2016

Shreveport: March 12, 2016

Louisiana State History Day: April 9, 2016

The National History Day program is exciting and fun, however, the benefits for participation for students working with primary sources and performing original research are very real and can earn them rewards both inside and outside the classroom such as scholarship moneys, special prizes and even paid educational travel.  That said, none of this would be possible without the generous help and support of our volunteer contest judges.

Sign up now to judge National History Day!

Find out more about Louisiana’s National History Day program.

 

For other questions on how to get involved with National History Day, contact the Museum’s Student Program’ Coordinator, Collin Makamson @ 504-528-1944 ext. 304 or historyday@nationalww2museum.org.