• The National WWII Museum Blog
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Posts Tagged ‘Film in WWII’

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‘Beyond the Line of Duty’ Released

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Beyond The Line Of DutyOn November 7, 1942, Warner Brothers Studios released its third wartime film short, Beyond the Line of Duty, directed by Lewis Seiler and narrated by future President Ronald Reagan.  Beyond the Line of Duty detailed the heroic exploits of B-17 pilot Lt. Hewitt “Shorty” Wheless during the Battle of the Phillipines (1941) whose badly-mauled plane and crew shot down seven Japanese “Zeros” before making a crash-landing at night with three flat tires.  For his efforts, Wheless was awarded the Distinguished Service Cross, earned mention in President Roosevelt’s Fireside Chat on April 28, 1942 and was given Beyond the Line of Duty‘s starring roleThe short proved popular and, at the 15th Academy Awards in 1943, Beyond the Line of Duty took home the Oscar for Best Short Subject.

Like its predecessor shorts, Winning Your Wings starring Jimmy Stewart and Men Of The Sky, Beyond the Line of Duty sought to raise morale and spur enlistment for the air service.  Warner Brothers would release only one further wartime short, The Rear Gunner, also starring Ronald Reagan, before the growing demand for training films became overwhelming and the First Motion Picture Unit took over as the USAAF’s primary film production unit; adopting the line ‘We Kill ‘Em With Fil’m’ as its motto.

This post by Collin Makamson, Red Ball Express Coordinator at The National WWII Museum

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Across The Pacific (1942)

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On September 4, 1942,Warner Brothers released the spy film Across the Pacific (no resemblance whatsoever to the 1926 film of the same name) starring Humphrey Bogart, Mary Astor and Sydney Greenstreet. The war had disrupted the film in a number of ways. The first was that the original script had Bogie thwarting a fictitious Japanese attack on Pearl Harbor. After December 7, 1941, the script was quickly rewritten and the attack moved to Panama. The other was the departure of John Huston for military service. Both Huston and the film’s second director, Vincent Sherman, blamed the other for what was called an “improbable ending.”

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